susan taylor chehak

Publications

As Kathryn Dow
“Dow’s ambitiously imaginative debut novel questions the very nature of reality… [a] diverting exploration of metaphysical concepts. Winsome and smartly playful.” —Kirkus Reviews
When her father bumps his head and collapses, in Linwood, Iowa; June, 2006, Alma doesn't know what to do. And then she does.
Fiction
Mouse Wendler's account of her father's disappearance in Linwood, Iowa, June 2006.
"Chehak's prose provides a seamless, calm flow to a novel whose elements of love and murder ripple enticingly, fully surfacing only gently, only eventually, in the most satisfying kind of storytelling." -Booklist
"Haunting . . . Clodine Wheeler is the bemused narrator who strings together brilliant beads of descriptive phrases as she sorts through her memories . . . Chehak skillfully depicts small-town meanness and ironic generosity . . . . Her mesmerizing tale has classic resonances." – Publishers Weekly
"A dark tale of obsession among the posh ranks of a midwestern town... Chehak's poetic style exposes the passionate longings beneath the mannered sterling-and-crystal patina of Cedar Hill life; she renders both violence and love with an unflinching eye and casts a mournful spell." -Vogue
"Chehak is a very accomplished storyteller, always in control of her narrative, which moves ahead with grace and speed. But it's not only the plot that matters to this writer. It's the telling little details, particularly of teenage angst and of domestic life that makes the novel rich... SMITHEREENS is a novel fully worthy of the title thriller. It's hard to put down. It has a kind of dark allure." - The Los Angeles Times
“In Susan Taylor Chehak’s skilled hands, Iowa becomes the seething, steamy setting for a tale of pure evil… This is a marvelous, creepy story.” -The Kansas City Star
Short Stories
Now available at Amarillo Bay
Now available at Necessary Fiction: Part One and Part Two
Now available at Juked
read it in the Spring 2012 issue of Folio by subscribing HERE
available online at Folly
read it in the Spring 2011 issue of Coe Review by subscribing HERE
read it on your Kindle, or your Kindle App
Online Projects
Nonfiction

What's New

Piracy? I wish...

April 26, 2012

"As Tim O’Reilly famously said, books don’t have a piracy problem. They have an obscurity problem. I have never met an author who didn’t wish that more people would read her book. Never one." Seth Godin, on DRM for ebooks

Read the whole story here: http://www.thedominoproject.com/

How it came to him

April 24, 2012

Jonathan Gottschall explains the impulse behind his book, The Storytelling Animal: How Stories Make Us Human...

"When we submit to fiction--whether in novels, songs, or films—we allow ourselves to be invaded by the teller...

"...I wrote The Storytelling Animal in an effort to understand how fiction—the fake struggles of fake people—can have such tremendous power over us."

Read the whole thing here: http://tinyurl.com/6ql8log

Price fixing?

April 19, 2012

Eduardo Porter in the New York Times: "It is only a matter of time before cheap e-books put an end to hardcover tomes selling for $25. And with Amazon pushing into publishing itself, some publishers could become victims as well. . . . If brick-and-mortar bookstores die, browsing will die with them. But writers and publishers will have plenty of other ways--think Amazon, Facebook or Google--of letting readers know about their books."

Read the whole article here: http://tinyurl.com/cxkt3tt

The impossible

April 15, 2012

"Revolutions enable the impossible at the same time they destroy the perfect. There’s entirely too much handwringing about how the perfect book industry is no more. That’s true. It’s no longer perfect. What’s happening now, though, is the impossible." -Seth Godin for The Domino Project

Read the full post here: http://www.thedominoproject.com/2012/04/the-biggest-problem-facing-book-publishing.html

What is the modern equivalent of the philosophical novel?

April 9, 2012

... asks Jennie Erdal in The Financial Times:

"The more novels I read at university, the more I felt that fiction was where truth was to be discovered. I seemed to experience Melville’s “shock of recognition”; which is to say re-cognition, for it was there already, waiting to be reawakened – the knowledge that somethings, not least what it is that makes us human, can never be adequately expressed in conventional philosophical prose.

"It is not immediately obvious why this should be. From ancient times, philosophers have addressed the question of how best to live; which is also, quintessentially, the concern of storytellers everywhere, especially those engaged in “serious fiction”. The pursuit of knowledge and truth – this too is common ground, and if only Plato had seen it that way, he might not have banned the poets from his Republic. But Plato regarded the poets – the forerunners of novelists – as troublesome and lacking in the right kind of knowledge (not pure enough). They dealt in dangerous emotions – fear, sorrow, pity – all of which weakened the character and led to moral degeneration. Philosophy and literature were set on different paths."

Read the whole essay here: http://tinyurl.com/83b7zml