The novelist on what atheists and true believers have in common and how Mark Twain, Henry James, and “Sigmund-fucking-Freud” lack imagination.
Read the whole interview at Guernica
"We had to creep past that corner of the hallway where it made its turn and then make a beeline for the stairs because we were being watched. Or so we thought. Or so Gemma thought. That was her story, and I became her friend because I believed it. Or so I said. I didn’t ask awkward questions, and I wouldn’t let minor details impair my imagination. I only nodded, wide-eyed, and peered more closely at the walls.
"'See the holes?” she asked, pointing. 'Just there. And there. And there.'"
Read the rest at Limestone
"The turns these stories take, structurally and emotionally, prove that Chehak is not only a daring literary artisan, but a connoisseur of human frailty. An acerbic, stirring collection from a master of the craft." -Kirkus Reviews
Online at Conte
read it in the Spring 2012 issue of Folio by subscribing HERE
available online at Folly
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Told through alternating narratives—a portrayal of the last few days of Meena's life and an account of the events in the past that have brought her to where she is now—this is the story of a woman running away from home for the first time and the strong, nearly universal desire to shed one's identity to become somebody else.
“[Chehak's] ambitiously imaginative novel questions the very nature of reality… [a] diverting exploration of metaphysical concepts. Winsome and smartly playful.” —Kirkus Reviews
"Chehak's prose provides a seamless, calm flow to a novel whose elements of love and murder ripple enticingly, fully surfacing only gently, only eventually, in the most satisfying kind of storytelling." -Booklist
"Haunting . . . Clodine Wheeler is the bemused narrator who strings together brilliant beads of descriptive phrases as she sorts through her memories . . . Chehak skillfully depicts small-town meanness and ironic generosity . . . . Her mesmerizing tale has classic resonances." – Publishers Weekly
"A dark tale of obsession among the posh ranks of a midwestern town... Chehak's poetic style exposes the passionate longings beneath the mannered sterling-and-crystal patina of Cedar Hill life; she renders both violence and love with an unflinching eye and casts a mournful spell." -Vogue
"Chehak is a very accomplished storyteller, always in control of her narrative, which moves ahead with grace and speed. But it's not only the plot that matters to this writer. It's the telling little details, particularly of teenage angst and of domestic life that makes the novel rich... SMITHEREENS is a novel fully worthy of the title thriller. It's hard to put down. It has a kind of dark allure." - The Los Angeles Times
“In Susan Taylor Chehak’s skilled hands, Iowa becomes the seething, steamy setting for a tale of pure evil… This is a marvelous, creepy story.” -The Kansas City Star
At the time of her death in Cedar Rapids, Iowa, during the summer of 1970, eighteen-year-old Paula Oberbroeckling was a beautiful leggy blonde who dreamed of becoming a model. She disappeared in the early morning hours of July 11th, after she’d borrowed her roommate’s car to go off on an unspecified errand. To help discover the truth about what happened to Paula, you are invited to join this collaborative investigation by visiting the website, signing up for a newsletter for ongoing updates, and liking the Facebook page, where readers share information and insights into the case.
May 4, 2012
Jonathan Gottschall "Why Fiction is Good For You":
"The more deeply we are cast under a story’s spell, the more potent its influence. In fact, fiction seems to be more effective at changing beliefs than nonfiction, which is designed to persuade through argument and evidence. Studies show that when we read nonfiction, weread with our shields up. We are critical and skeptical. But when we are absorbed in a story, we drop our intellectual guard. We are moved emotionally, and this seems to make us rubbery and easy to shape.
"But perhaps the most impressive finding is just how fiction shapes us: mainly for the better, not for the worse. Fiction enhances our ability to understand other people; it promotes a deep morality that cuts across religious and political creeds. More peculiarly, fiction’s happy endings seem to warp our sense of reality. They make us believe in a lie: that the world is more just than it actually is. But believing that lie has important effects for society—and it may even help explain why humans tell stories in the first place."
Read more here: http://tinyurl.com/79mz9kh