susan taylor chehak

Publications

Short Stories
Available online at The Coachella Review
Available online at Sliver of Stone
Available online at Crack The Spine
Available online at Ragazine.
Available online at The Literary Nest.
Available online at DUCTS.
Available now in Moon City Review
Read it online in Limestone
"The turns these stories take, structurally and emotionally, prove that Chehak is not only a daring literary artisan, but a connoisseur of human frailty. An acerbic, stirring collection from a master of the craft." -Kirkus Reviews
Read the whole story online, at Blue Lake Review.
Online at Conte
Included in a new anthology from SeedpodPress
Read it in the Winter 2013 issue of Permafrost
read it in the summer 2013 issue of Grey Sparrow Journal
Now available at Amarillo Bay
Now available at Necessary Fiction: Part One and Part Two
Now available at Juked
read it in the Spring 2012 issue of Folio by subscribing HERE
available online at Folly
read it in the Spring 2011 issue of Coe Review by subscribing HERE or read it online HERE
read it on your Kindle, or your Kindle App
Interviews
The novelist on what atheists and true believers have in common and how Mark Twain, Henry James, and “Sigmund-fucking-Freud” lack imagination. Read the whole interview at Guernica
Fiction
Told through alternating narratives—a portrayal of the last few days of Meena's life and an account of the events in the past that have brought her to where she is now—this is the story of a woman running away from home for the first time and the strong, nearly universal desire to shed one's identity to become somebody else.
“[Chehak's] ambitiously imaginative novel questions the very nature of reality… [a] diverting exploration of metaphysical concepts. Winsome and smartly playful.” —Kirkus Reviews
"Chehak's prose provides a seamless, calm flow to a novel whose elements of love and murder ripple enticingly, fully surfacing only gently, only eventually, in the most satisfying kind of storytelling." -Booklist
"Haunting . . . Clodine Wheeler is the bemused narrator who strings together brilliant beads of descriptive phrases as she sorts through her memories . . . Chehak skillfully depicts small-town meanness and ironic generosity . . . . Her mesmerizing tale has classic resonances." – Publishers Weekly
"A dark tale of obsession among the posh ranks of a midwestern town... Chehak's poetic style exposes the passionate longings beneath the mannered sterling-and-crystal patina of Cedar Hill life; she renders both violence and love with an unflinching eye and casts a mournful spell." -Vogue
"Chehak is a very accomplished storyteller, always in control of her narrative, which moves ahead with grace and speed. But it's not only the plot that matters to this writer. It's the telling little details, particularly of teenage angst and of domestic life that makes the novel rich... SMITHEREENS is a novel fully worthy of the title thriller. It's hard to put down. It has a kind of dark allure." - The Los Angeles Times
“In Susan Taylor Chehak’s skilled hands, Iowa becomes the seething, steamy setting for a tale of pure evil… This is a marvelous, creepy story.” -The Kansas City Star

Helium

The magazines kept coming every week or every month, so it was one or another of them every day, and you didn’t have what we both knew it was going to take to make them stop. That would have meant making some calls to cancel. And then you’d need to find a way to explain the situation. But you just couldn’t bring yourself do it. Pick up the phone, dial the number, say the words that needed to be said. You thought that then the young man on the phone was going to feel a need to pull himself up and argue with you. It was his livelihood at stake, was why. He worked on commission, didn’t he? Just doing my job, he’d say. And then he’d go on to explain that he had debts to pay or mouths to feed. And times were tough, weren’t they? Everybody seemed to think that this was true... Read the whole story HERE.